‘The Scream’ at MoMA. (Spencer Platt/Getty Images)

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Until visiting The Scream two weeks ago at the Museum of Modern Art, to which it has been loaned for six months by its new, anonymous owner, I had forgotten that it has three figures: besides the alarmed man who gets all of the attention, there is another man in a top hat, his head bowed as if in deep despair, and a third man, further in the distance, who stares out at the landscape, strangely unaware—or in denial—of the fact that the world is coming undone around him. Factoring in those other two, it’s easier to follow Mr. Olsen’s thinking: when it comes to the effects that humans are having on nature, most of us are the second or third person.

In the United States, at least, most politicians and even many businesspeople (who would seem to have a vested, profit-driven interest in staving off climate change) have been incapable of addressing, or even acknowledging, the problem.