At the same time Crist has been writing multiple teaser posts about our upcoming Authentica shops we continually search for both classic and innovative artisanally crafted items to highlight there. Each discovery feels like stumbling upon a gem while sifting through stones.
During our 7 years in India we experienced the development and growth of the Kochi-Muziris Biennale – from the early days of the first edition in 2012, to direct involvement in 2014, to an even more successful 3rd edition in 2016. The diversity of India is undeniable, and the country’s first art biennale has increased its reach continually in both the breadth of the artists involved, and the depth of its work toward community outreach and inclusivity.
Having been exposed to Art myself from an early age, it’s difficult to describe the pleasure I felt seeing groups of school children, accompanied by parents and teachers, experiencing the wide range of installations and exhibits in the different venues of the biennale.
Reading now about Portal: Governors Island, I wonder how I could have possibly missed it, but then again – we were living in India! I love how the NYTimes called it an “Art Fair for the 99%”. I would love to be the one to introduce the KMB team to the non-profit team 4heads, who organizes this annual September event.
There’s still time to get there, so if you happen to be in New York…
Our mission as an artist-created organization, is to cultivate a supportive community by hosting free large-scale art fairs and studio residency programs for under-represented artists, and by tailoring arts education programs for underserved youth. With a strong focus on artistic excellence and inclusion, we revitalize historic spaces with contemporary art, as we continue to enrich and expand our creative community: a socially, economically, and culturally diverse reflection of New York City itself.
On Saturday, August 31, 2019, 4heads will open Portal: Governors Island (formerly known as Governors Island Art Fair), featuring a diverse range of artists from across the U.S. and abroad. Installations, which span the spectrum of artistic genre and media, will be presented across eight of the historic homes on Colonels Row, with each artist installing in an individual room or connective space. Now in its 12th year, Portal: GI heralds the start of the fall visual arts season in New York, with a spirited atmosphere that encourages conversation between artists and visitors and challenges the established fair paradigm as one exclusively for art connoisseurs. Portal: GI will be open every Saturday and Sunday through from August 31 to September 29, 2019. Continue reading
Being a daily reader of the NYTimes it’s surprising that I missed the publication of this posthumous essay by neurologist and author Dr. Oliver Sacks, who died in 2015. This is especially notable related to biophilia, a subject that means a great deal to all of us on this site, in fact, as Dr. Sacks states, it is an essential part of the human condition.
Even for people who are deeply disabled neurologically, nature can be more powerful than any medication.
This is an excerpt from “Everything in Its Place,” a posthumous collection of writings by Dr. Sacks.
As a writer, I find gardens essential to the creative process; as a physician, I take my patients to gardens whenever possible. All of us have had the experience of wandering through a lush garden or a timeless desert, walking by a river or an ocean, or climbing a mountain and finding ourselves simultaneously calmed and reinvigorated, engaged in mind, refreshed in body and spirit. The importance of these physiological states on individual and community health is fundamental and wide-ranging. In 40 years of medical practice, I have found only two types of non-pharmaceutical “therapy” to be vitally important for patients with chronic neurological diseases: music and gardens.
The wonder of gardens was introduced to me very early, before the war, when my mother or Auntie Len would take me to the great botanical garden at Kew. We had common ferns in our garden, but not the gold and silver ferns, the water ferns, the filmy ferns, the tree ferns I first saw at Kew. It was at Kew that I saw the gigantic leaf of the great Amazon water lily, Victoria regia, and like many children of my era, I was sat upon one of these giant lily pads as a baby.
As a student at Oxford, I discovered with delight a very different garden — the Oxford Botanic Garden, one of the first walled gardens established in Europe. It pleased me to think that Boyle, Hooke, Willis and other Oxford figures might have walked and meditated there in the 17th century.
I try to visit botanical gardens wherever I travel, seeing them as reflections of their times and cultures, no less than living museums or libraries of plants.
Never one to tire of reading about libraries, the essay below gives me a surge of hope in a world where culture is often upstaged by bullish showmanship. The sense that libraries encapsulate and span centuries of human endeavors, yet still evolve and remain essential to communities around the world is completely on point. “All hail the librarian!”, indeed.
Last year two Danish librarians – Christian Lauersen and Marie Eiriksson – founded Library Planet: a worldwide, crowdsourced, online library travel guide. According to them, Library Planet is meant to inspire travellers “to open the awesome book that is our world of libraries, cities and countries”.
The name of the online project is a deliberate nod to the Australian-made Lonely Planet. The concept is simple and powerful. Library lovers contribute library profiles and images from their travels; the founders then curate and publish the posts, with the ambition of capturing library experiences and library attractions from around the world.
Why make libraries a focus of travel? There are a thousand practical and aesthetic reasons, as well as cultural ones. Libraries for the most part are safe and welcoming places. And they tell unique stories about the people who build and appreciate them. If books are the basic data of civilisation, then nations’ libraries provide windows on national souls. They are precious places in which to seek traces of the past, and reassurance about the future.
Library Planet now has dozens of intriguing profiles – including from Burma, Iceland, Tanzania and French Polynesia. A recent entry celebrated the Melbourne Cricket Club library at the MCG. The site has rapidly become a favourite among the bibliographical communities and subcultures of Instagram and Twitter, such as #rarebooks, #amreading and #librarylove. Continue reading
This video expresses the concept of artisan ethos in almost too many ways to count: from the centuries old traditions of weaving in India , to creative communities coming together to rebuild cultural patrimony in the face of natural disasters, not to mention the well-crafted visual storytelling of the piece itself. (Kudos yet again to Anoodha and her Curiouser team for their own style of weaving.) Continue reading
Odysseys (not to mention, The Odyssey) are a fundamental aspect of our family’s peripatetic lives. Having lived in 5 countries on 4 continents, there are places that continue to draw us back with roots that run wide and deep. Greece is one of those places, for multi-generational reasons. It strikes me as strange that we’ve never been to Ithaca, at least the one that Pico Iyer writes about here.
The strength of stories is as powerful as the bonds of love for family and for motherland, and I thank Pico for continuing to share his with us all.
One writer chronicles his voyage to the island of Ithaca, where Odysseus was once reputedly king.
I STEPPED INTO a taxi on my arrival in Athens and mentioned the name of one of the city’s most central five-star hotels. The driver was thrown into a frenzy, and not only because he seemed to speak no English. As we zigzagged at high speed through the jampacked streets, he tapped frantically on his smartphone and started calling friends, none of whom were any help at all. When, finally, we pulled up at the entrance, I was greeted by a wild-haired, gesticulating front-desk man who said, “We’re so sorry, sir. We have a problem, a big problem, today. So we have made a reservation for you in our other hotel. Half a block away.”
The problem, the taxi driver conveyed, was that every toilet in the hotel had flooded.
In the fancy new place where I ended up — it took us 20 minutes to go around the corner thanks to narrow, one-way streets — I walked into an elevator to be confronted by two thickly bearded Orthodox priests in full clerical dress crammed into the same small space, cellphones protruding from their pockets as they wished me, in easy English, “Good evening.” The mayhem of the little lanes I’d just come through, the sunlit dishevelment of the buildings, which seemed to be collapsing as much as rising up, the graves in the middle of the city: I felt, quite happily, as if I were not in Europe but in Beirut or Amman.
The real antiquity in Greece, I thought — and this is its enduring blessing, for a visitor — is its daily life; on this return trip, retracing a course I’d followed 35 years before, from the classical sites of the Peloponnese (ill-starred Mycenae and healing Epidaurus) all the way to Odysseus’ storied home on Ithaca, I was noticing that it’s precisely the slow, human-scaled, somewhat ramshackle nature of arrangements here that gives the country much of its human charm. Yes, you can still see Caravaggio faces around the Colosseum in Rome; along the ghats in Varanasi, India, you’re among the clamor and piety of the Vedas. But in Greece, it’s the absence of modern developments — of high-rises and high-speed technologies — that can make you feel as if you’re walking among the ancient philosophers and tragedians who gave us our sense of hubris and catharsis.
Forget the fact that the Klitemnistra hotel is down the street from Achilles Parking; what really gives Greece its sense of being changeless is that the Lonely Planet guidebook gives you a cure for the evil eye, and a man is crossing himself furiously as he attempts to double-park. The Grecian formula that keeps the place forever young — and old, and itself — has less to do with the monuments of kings and gods than simply with the rhythms of the day: Fishing boats are heading out before first light and the shepherd’s son is leading the priest’s niece under the olive trees in the early morning. Black-clad women are gossiping in the shade and donkeys clop and stop over ill-paved stones in the siesta-silent, sunlit afternoon. At night, there’s the clatter of pots from the tavernas and the sound of laughter under lights around the harbor.
All in a landscape where the deep blue sea surrounds you on every side, and the indigo and scarlet and orange flowerpots are bright with geraniums and begonias. It’s not just that you feel the presence of a rural past everywhere in Greece; it’s that, amid this elemental landscape of rock and cobalt sky and whitewashed church, you step out of the calendar altogether and into the realm of allegory.
Elephant conservation has taken many forms over the years. When writing about the recent Real Elephant Collective collaboration exhibit that took place in Cochin a few months ago, I realized that art installations using elephants as symbols for big picture conservation have existed for some time.
Having been unable to attend the exhibit personally, Anoodha and the Curiouser team make me feel that I was there.
We’ve had friends and family members living in Atlanta for close to 30 years, and although I knew it was the hub of important aspects of American history, it never occurred to me to think of it in archaeological terms. At first consideration, I think about archaeology as the study of ancient cultures in far away places. Yet, with family in countries like Greece, I acknowledge that awesome layers of history can be just under the surface, or deeply buried and unearthed as cities grow with constructions of buildings and transit infrastructure.
This piece in the Georgia State University Magazine made that quite clear.
From its days as a railroad boomtown to Sherman’s tinderbox to one of America’s great cities, Atlanta’s history runs deep. The Phoenix Project, more than 100,000 artifacts collected by a team of Georgia State archaeologist in the 1970s, tells the city’s story through unearthed historical objects.
These boxes contain the lost pieces of a tumultuous past that dates to the city’s earliest days — bullet casings from the Civil War, mystery tonics in antique glass bottles, creepy toys, fashion accessories, ancient grooming tools and much more. Many of them still await examination and haven’t been opened since archaeologists first packed them four decades ago.
This massive array of objects is called the Phoenix Project, and Georgia State professors and students have been methodically studying, cataloging and mapping each item since 2011.
Collected all over the city between 1976 and 1980, the objects belong to the largest archeological collection ever associated with Atlanta. They are the fruit of one of America’s earliest urban archaeological projects — the roving excavation that followed construction crews as the Metropolitan Atlanta Rapid Transit Authority (MARTA) cleared land, leveled blocks and tunneled underground to build the first iteration of its rail system.
Jeffrey Glover, associate professor of anthropology, has curated the Phoenix Project for years in hopes of providing the public with a different kind of city history, a slice of Atlanta’s past through the lens of historical objects.
Choosing one box among hundreds, Glover removes a small amber bottle that once held Valentine’s Meat Juice, a concentrated beef tonic from the 1870s. Advertisements said it could help with gastroenteritis, dysentery and even cholera.
“It was supposed to bring vitality,” Glover says, “like an early energy drink.”
From another box, he takes out the misshapen head of a porcelain doll. Featuring dark, empty eye sockets and covered in burn marks, the scary toy looks hungry for souls. While Glover affectionately calls it the “creepy doll head,” its official artifact ID is “a3161,” written in impeccable script with archival ink across its neck.
That’s because the archaeologists who bagged all this stuff in the 1970s methodically described and organized each item using a numbering system adapted from the Georgia Department of Transportation. For example, the “a” in “a3161” stands for “general artifact” while the number indicates the item was the 3,161st general artifact to be cataloged from that accession. (And there are about 100 accessions.) Containers, such as glass and pottery, begin with “p,” and building materials with “m.” Plant remains use “eb” for “ethnobotanical” while animal bones start with “ez” for “ethnozoological.”
Just one of the standard cardboard bankers boxes can contain dozens, if not hundreds, of artifacts, each wrapped in brown paper and labeled with a unique artifact ID. Though they’ve all been recorded in a logbook alongside a one-line description, unwrapping each one is like opening a birthday present because you don’t know exactly what you’ll get.
“It’s an excavation of boxes,” says Lori Thompson (M.A. ’16), assistant laboratory director at New South Associates.
It’s been 5 years since we first began highlighting the Great Backyard Bird Count, a citizen science collaboration between the Cornell Lab of Ornithology, the Audubon Society and Bird Studies Canada. Since then, we’ve participated in 3 countries, on 2 continents, primarily in birding hotspots such as the Periyar Tiger Reserve in Kerala, India, a special corridor of avian biodiversity in the foothills of Poas Volcano in Costa Rica, and Baja California Sur, Mexico.
The data that is collected by thousands of individual birders for eBird has long range benefits for monitoring both the health and range of particular species, as well as the state of the planet as species have to adapt to changing climate.
The map above indicates the locations from which checklists have been submitted (each gray dot represents a list, and the larger yellow dots are a moment frozen in time when a list has just been submitted. I highly recommend clicking on the image to view the site and watch the “lists” pop through the map!) Initially the GBBC only took place in North America, and birders worldwide rejoiced when it was expanded into a global event. (We were in India at the time, so I kid you not.) Continue reading
A friend of mine recently posted on social media about beautiful libraries in Halifax, as well as other favorites, including the Boston Public Library. We’ve written about libraries countless times on this site, both due to their clear cultural importance, as well as their impact within our family. It reminded me how libraries have been part of our lives since early toddlerhood for our sons, starting in Ithaca, where they were born, and in Paris, the American Library (the largest English-language lending library on the European continent) where they discovered authors like Philip Pullman and Terry Prachett. There are no limitations for what libraries have meant to our family over the years.
Thanks to sociologist Eric Klinenberg for this opinion piece.
This crucial institution is being neglected just when we need it the most.
Is the public library obsolete?
A lot of powerful forces in society seem to think so. In recent years, declines in the circulation of bound books in some parts of the country have led prominent critics to argue that libraries are no longer serving their historical function. Countless elected officials insist that in the 21st century — when so many books are digitized, so much public culture exists online and so often people interact virtually — libraries no longer need the support they once commanded.
Libraries are already starved for resources. In some cities, even affluent ones like Atlanta, entire branches are being shut down. In San Jose, Calif., just down the road from Facebook, Google and Apple, the public library budget is so tight that users with overdue fees above $20 aren’t allowed to borrow books or use computers.
But the problem that libraries face today isn’t irrelevance. Indeed, in New York and many other cities, library circulation, program attendance and average hours spent visiting are up. The real problem that libraries face is that so many people are using them, and for such a wide variety of purposes, that library systems and their employees are overwhelmed. According to a 2016 survey conducted by the Pew Research Center, about half of all Americans ages 16 and over used a public library in the past year, and two-thirds say that closing their local branch would have a “major impact on their community.” Continue reading
I remember car free days in Paris with pleasure, sunny autumn weather topped by cyclists, pedestrians and skaters enjoying wide boulevards and narrow city lanes alike. New York City has a smaller scale version, with a 2 mile stretch of lower Broadway, plus a mile up in Washington Heights.
No traffic days taking place in developing countries somehow feels all the more impactful, especially considering it’s a monthly event, rather than an annual one! Thanks to the BBC for bringing this to our attention with the story No traffic in Addis Ababa as Ethiopia marks Car Free Day:
Thousands of people have marked Car Free Day in cities across Ethiopia by walking and exercising.
Major roads were shut as Health Minister Amir Aman led the walk in the capital, Addis Ababa.
This was the first Car Free Day held in Ethiopia to promote healthy living, and to reduce pollution on roads usually clogged with traffic.
Tents were also set to offer free health checks to those who were walking and exercising.
Mr Amir is trying to change that and Car Free Day will be held on the last Sunday of each month, he adds. Continue reading
It’s a relatively small world among the birding /photography community in India, and once I saw Gururaj Moorching’s photographs I reached out for an introduction to ask him to contribute to our Bird of the Day series. He started his own birding journey in 2012 after a trip to Kaziranga and another trip to the Rann of Kutch where he came across the two books “Birding on Borrowed Time” and “Lifelist” by the late Phoebe Snetsinger. We’ve been publishing his gorgeous photos for over 3 years, and I was thrilled when he shared his plan for a Photographic Birding Big Year.
Gururaj is currently working on a book expected to be published this spring, but he recently spoke with Deepthi Sanjiv from the Bangalore Mirror about his experience.
“When I had a chance meeting in April 2015 with naturalist Marmot Snetsinger in Eaglenest Wildlife Sanctuary, Arunachal Pradesh, I was elated. Her mother, the late Phoebe Snetsinger, was a legend in birdwatching circles. She was the first person to have crossed 8,000 birds on her Life List in 1995 and watched 8,398 species of birds across the world.”
When Phoebe took up bird watching, she had a rare type of melanoma and the doctors had given her a year to live. She defied death for another 17 years since her diagnosis. I was inspired and I could especially relate to her as I faced a similar health predicament. Phoebe’s book “Birding on Borrowed Time” inspired me to take up birdwatching and photographing birds with intensity and a sense of urgency…
…Ornithologist Shashank Dalvi, India’s first birder to complete one ‘Big Year’ and record 1,128 species of birds in 2015, mentored Gururaj. He helped Gururaj list out travel plans to get maximum results and devised a calendar plan, based on the seasons and locations across India.
“It is not a mean task to chase 1,317 species of bird found in India, including Adaman and Nicobar Islands. My love to travel, food and meeting new people made the journey interesting in this amazing country of huge diversity. Birding community in India is a well-knit family. I received great support from birders, guides and naturalists who were eager to share any information on bird movement and even opened their homes, kitchen and hearts to me. Rofikul Islam, a gifted naturalist from Kaziranga, stood by me throughout the year, and was the inspiration behind my decision to pursue a Photographic Big Year, which was the first of its kind,” said Gururaj.
“A deep sense of contentment comes over me at the end of this sojourn,” he said.
We may have used this post title before, but it’s a feeling we come back to again and again, especially when talking about foods we love. Coffee, cheese, wine, tea…the significance of each one resonates with both a sense of culture and place to where quite a few of the contributors to this site have called home.
There’s wine and cheese too, in these remote islands in the Atlantic Ocean. Here’s where to get a taste of the past — and present.
Living on a remote island at the mercy of nature demands resiliency, and the Azores do qualify as remote: nine volcanic islands in the middle of the Atlantic Ocean, 850 miles off the coast of Portugal, their protectorate. The Azores are known for volcanic craters, natural hot springs, 600-foot waterfalls, mountains, cerulean lagoons and dense forests.
But it has not always been idyllic on the islands. Throughout their history, Azoreans have had to overcome disease, volcanic eruptions, earthquakes and hurricanes that have decimated their food supply and threatened their economy and survival.
But they are masters of reinvention and ingenuity: They have learned how to cultivate tea and coffee, plants that are not native to the islands but flourish in the temperate climate and mineral-rich volcanic soil. They have also preserved and perfected centuries-old traditions in cheesemaking and wine production to ensure sustainability and safeguard their culture. They proudly share their agrarian heritage with travelers seeking an authentic Azorean experience.
I had to walk briskly to keep up with 66-year-old Manuel Nunes. He climbs the hillsides of his coffee farm with the sure-footedness of a ram, easily negotiating the rocky terrain. His muscular fingers are adept at plucking the beans swiftly from their stems. He will dry them in the sun and roast them on his stovetop in a cast iron pan, to sell as beans and to serve as coffee at Café Nunes in Fajã dos Vimes, a village of 70 people on São Jorge Island.
Mr. Nunes’ tiny farm is the largest plantation in Europe, with 700 plants yielding approximately 1,600 pounds of coffee annually — tiny when compared to major coffee-growing countries. The low altitude coupled with high humidity makes this microclimate ideal for growing arabica coffee. There are no insects on the island that destroy the beans so no chemicals are required. The result is a strong cup of Joe without acidity. Mr. Nunes does nearly all the work himself, including the long harvest from May to September.
“It’s what I love to do. It’s my passion. It’s where I belong. I feel well here,” he said (his daughter, Dina Nunes, did the translating)…
Dr. Seuss has held an important place in my life, stretching from my own childhood and into parenthood, and connecting the dots between the pure joy of reading and powerful messages keeps him at the top. So what fun to discover the story, species and science behind the inspiration for his most impactful books!
What inspired the creature who was “shortish and oldish and brownish and mossy?” The one who spoke in a voice that was “sharpish and bossy?” He spoke for the trees, yet he called them his own. All that he left “in this mess was a small pile of rocks, with the one word … ‘UNLESS.’”
In 1970, millions of people observed Earth Day for the first time, and the Environmental Protection Agency was born. Joni Mitchell’s “Big Yellow Taxi” topped the charts.
And in La Jolla, Calif., Theodor Geisel, also known as Dr. Seuss, was fighting to keep a suburban development project from clearing the Eucalyptus trees around his home. But when he tried to write a book about conservation for children that wasn’t preachy or boring, he got writer’s block.
At his wife’s suggestion to clear his mind, they traveled to the Mount Kenya Safari Club, an exclusive resort where guests watched animals along Kenya’s Laikipia plateau.
And if you haven’t guessed by now, it was there that “The Lorax” took shape — on the blank side of a laundry list, nearly all of its environmental message created in a single afternoon. Continue reading
It’s a rare occasion that we republish one of our posts on this site – but April 1st is a special day, is it not? And as the weather warms, a little bit of lighthearted Spring frolicking won’t go amiss.
It was unlike me to have missed acknowledging the Vernal Equinox last week but please note that it wasn’t forgotten. In much of the northern hemisphere spring began sprouting all over the place, sometimes unseasonably early, and the first day of spring was observed in all its glory in Crist’s Holi series.
So I’m being careful not to miss April 1st and in the spirit of that celebration am sharing some of artist Ken Brown‘s collection of turn of the century (the 19th to the 20th that is!) French fantasy postcards that celebrate “Poisson d’Avril”, the French equivalent of April 1st or April Fools’ Day. Continue reading
I highly recommend this combination of retro covers from classic food and homemaking publications, stylized food presentations and deconstructed recipe imagery. Guaranteed to make you smile. (Check below the jump for more of my personal favorites.)
In this taster from her new book Feast for the Eyes, curator and writer Susan Bright brings into focus the rich history of food in pictures. From Man Ray to Cindy Sherman and Martin Parr, it is an artful exploration of how the edible vastly exceeds the simple things we put on our plates.
Almost from its inception there have been archaeological studies of the Maya sites at Chan Chich by nature of the lodge’s stated purpose to protect the area from further lootering. Professor Thomas Guderjan lead some of the early field seasons (1988 and 1990) studying the Maya Settlements in Northern Belize. At that time, the two Dos-Arroyos Polychrome Vessels illustrated above were some of the only artifacts found on site, but the subsequent seasons, spanning close to 20 years at this point, have yielded extensive data and additional artifacts.
These two vessels remain on display in the restaurant area at Chan Chich Lodge. Although both had been repaired by Guderjan’s team, the one on the left had broken over the years. Just before this season’s team fully dispersed, I took the opportunity to request some puzzle practice. Continue reading
Crist’s post about this fascinating National Geographic article last week touched on its excellent graphics but barely began to scratch the surface of the amazing technology that would certainly have left the readers of the early issues of the magazine speechless.
In addition to the world-class photography, the interactive 3-D graphic of the frieze above uses SketchFab technology to allow viewers to not only zoom in and out, but to turn the object around in all directions, as if handling it in person. Do take the time to play with it! Continue reading
The more time we spend at Chan Chich Lodge the more we see the seasonality of birth patterns in the wild. There clearly seems to be a “baby season”, that starts with the cats and moves down the food chain to their mammalian prey, as well as birds. Although no photo captures, several jaguar cubs were sighted earlier in the year, followed by dozens of fawns and baby collared peccary. Even the Gallon Jug Farm has welcomed 4 baby horses to the fold, with a fifth on the way…but we’ll talk about that another day.
This unusual news from Panthera.org, an important Big Cat Conservation NGO who uses our 30,000 acres as part of their Jaguar Corridor research, perhaps makes a little bit of sense within the context of those patterns.
We thank Susie Weller Sheppard for sharing these field notes.
Earlier this week, Panthera President and Chief Conservation Officer Dr. Luke Hunter received photos from our partners at KopeLion with some astonishing content: the first-ever evidence of a wild lioness nursing a leopard cub.
Taken on Tuesday by a Ndutu Lodge guest in Tanzania’s Ngorongoro Conservation Area, the images show a 5-year-old lioness, known locally as ‘Nosikitok,’ suckling a leopard cub estimated to be just 3 weeks old. Continue reading
After spending a few days participating in the 2017 CCAP dig I went to visit the lab where the artifacts are cleaned, sorted and tagged. While Phil and I were doing the most basic work, Tomás and Mnemo were carefully cleaning out a burial pot that had been found in the chamber next to our new unit.
Using dental implements and small wooden sculpture tools, they were essentially repeating the process that we’d begun in our unit a few days earlier – carefully excavating the packed earth layer by layer – albeit in miniature. Continue reading