Thanks to National Public Radio (USA) for bringing this to our attention:
Is It Insulting To Call This A ‘Hut’?
The complaints came in shortly after we ran a story on a government aid program that gave cash to the poor in Zambia. The piece included a profile of a young woman who, along with her husband, had used the money to start a business that had lifted their family to a level self-sufficiency they’d never enjoyed before.
Several readers — okay, just two, but still, it made us take note! — wrote to take issue with my use of the word “hut” to describe the family’s dwelling. Continue reading
The publisher’s blurb starts with an annoying claim, as if there is one chef better than all others in the world, that illustrates why foodie-ism is less and less linked to on this platform. Nonetheless, the book sounds worthy of attention:
Massimo Bottura, the world’s best chef, prepares extraordinary meals from ordinary and sometimes ‘wasted’ ingredients inspiring home chefs to eat well while living well.
‘These dishes could change the way we feed the world, because they can be cooked by anyone, anywhere, on any budget. To feed the planet, first you have to fight the waste’, Massimo Bottura
Bread is Gold is the first book to take a holistic look at the subject of food waste, presenting recipes for three-course meals from 45 of the world’s top chefs, including Daniel Humm, Mario Batali, René Redzepi, Alain Ducasse, Joan Roca, Enrique Olvera, Ferran & Albert Adrià and Virgilio Martínez. These recipes, which number more than 150, turn everyday ingredients into inspiring dishes that are delicious, economical, and easy to make.
We remember the genesis of this from a story by Adam Robb a couple of years ago:
The renovated Refettorio Ambrosiano in Milan’s Greco neighborhood will house a charity event organized by chef Massimo Bottura during Expo Milano 2015. Credit Adam Robb
Italy’s most progressive exhibition of sustainable cooking commences this Thursday, when the Michelin-starred chef Massimo Bottura throws open the doors of Refettorio Ambrosiano, the once-derelict theater repurposed to educate and feed the refugees and working poor who reside far across town from the multinational pavilions welcoming culinary tourists to this summer’s Expo Milano 2015. Continue reading
Thanks to Mandalit del Barco and the National Public Radio (USA) folks at the salt for this book review that has special resonance to those of us with immigrant street vendor heritage:
How many taco trucks do you know that not only have a cookbook but a theme song? Wes Avila’s Guerrilla Tacos truck does – and has once again made food critic Jonathan Gold’s influential list of favorite Los Angeles eateries.
Five years ago, Avila was working as a sous chef at a pop up restaurant called Le Comptoir. It was only open four days a week, and Avila says he wasn’t making enough money to cover his rent. So he bought a simple food cart. He used his last $167 on ingredients. Then he and a friend began selling tacos in the arts district in downtown Los Angeles without the required health department permits.
“We were kind of bending the law, not necessarily breaking the law. We had to move around so we wouldn’t get caught — you know, like guerrilla warfare,” Avila says. “That’s why we had that name, because we’d be in random alleys, random streets, being kind of renegade like that.” Continue reading
Search on the three words “seeds of change” on this platform and you will find dozens of stories dealing with topics like botanical hazard initiatives or innovative approaches to flora conservation and/or climate change and some of the radical plans made to prepare for it that we have linked to over the years. Type the same three words into your favorite search engine and the topics are much more diverse. The three words are also the name of an evolving exhibition, and the subject of an article that mixes art, academia and activism:
An exhibition using plants brought to New York in ships’ ballast illuminates the city’s hidden past using stinging nettle, milk thistle and amaranth. Continue reading
Families in small town, coastal Maine have been fisherfolk for generations, but waters warm and fish patterns change, many are looking at alternative livelihoods. Joe Young, pictured above, is diversifying into oyster and kelp farming in addition to his dockside cafe that where he sells lobster rolls, lobster dinners and, now, his homegrown oysters.
COREA, Me. — The boats start up around 3:30 in the morning, stirring the village with the babble of engines before they motor out to sea. They will return hours later, loaded with lobster.
Joe Young’s boat has not gone out lately. Instead, he puts on waders and sloshes into the salt pond behind his house, an inlet where water rushes in and out with the tides. After a lifetime with most of his income tied to what he finds in the sea, this lobsterman — and sixth-generation fisherman — is trying his hand at something new. He is farming oysters. Continue reading
Yurok dance feather regalia in cedar boxes, at Dave Severns’s camp on the Yurok Indian reservation. Credit Talia Herman for The New York Times
As important as cultural conservation is to us it gets half as much attention in these pages as nature conservation (a matter of life and death), so we are more than happy to share stories like this one (thanks to Patricia Leigh Brown) when they land on our desk:
Dance feather regalia dry in the sand, made by Dave Severns, whose culture camp teaches young men a nearly forgotten art form. Credit Talia Herman for The New York Times
KLAMATH, Calif. — The gathering known simply as “Uncle Dave’s camp” begins at daybreak on the pebbled banks of the Klamath River, the age-old spruce and redwoods on the bluffs shrouded in mist.
Here on the Yurok Indian Reservation near the Oregon border, so remote that certain areas have yet to receive electricity, young male campers sit on cedar logs while keeping tabs on a river rock heated in a fire. The rock, hand-hollowed and chiseled with basketry patterns, contains a molten glue made from the dried air bladders of sturgeons. The syrupy concoction is a crucial ingredient for making feathered headdresses, hide quivers, obsidian-blade sticks and other forms of ceremonial dance ornaments, or regalia, that are at once works of art and living conduits to the spirit world. Continue reading
A life of hunting and gathering had advantages over one of farming and settlement. Illustration by Golden Cosmos
John Lanchester’s article, pondering technology versus science, gives fire its due in the course of reviewing a new book about how hunting and gathering gave way to progress. At the same time, Lanchester raises reasonable doubts about the gains:
…We don’t give the technology of fire enough credit, Scott suggests, because we don’t give our ancestors much credit for their ingenuity over the long period—ninety-five per cent of human history—during which most of our species were hunter-gatherers. “Why human fire as landscape architecture doesn’t register as it ought to in our historical accounts is perhaps that its effects were spread over hundreds of millennia and were accomplished by ‘precivilized’ peoples also known as ‘savages,’ ” Scott writes. Continue reading
17 years ago, the word organikos crept into our vocabulary. Our company had recently been transformed from an advisory service to a management company. We were one year into the process of establishing protocols for “hospitality with sense and sensibility” and some generalizable principles for entrepreneurial conservation.
We were, in the year 2000, focused on rainforest conservation in the Osa Peninsula of Costa Rica, leveraging the economics of lodging and guided nature immersions. We used organikos as our codeword for an initiative that we would get to when we had time. This initiative would provide the tastes–from beverages, spices, foods–associated with the places we had been working in recent years; it would provide those tastes as pre-experience of those places. Our first thought was coffee from Costa Rica.
We did small experiments over the years since then, starting with a single estate coffee from Costa Rica’s Tarrazu region; then wine from the Croatian island of Hvar; then monsooned coffee from the Malabar coast of India.
Now we are back from India, at home again in Costa Rica. And we would welcome you to visit, but first how about some Tarrazu single estate coffee? Let me know. Hacienda La Minita was a pioneer in single estate coffee, an early inspiration for us in terms of tasting the place, and it continues to be one of our favorites. We can get it to you. And if you want to visit the estate, or get to know any other place in Costa Rica, we can help with that as well.
Greenthread (Thelesperma) is a wild plant that thrives in the mid-summer heat of the American Southwest. This bunch is freshly cut, and waiting for rinsing and drying to make Navajo tea. Courtesy of Deborah Tsosie
Give yourself a few minutes for this story about the link between seasonal produce and cultural patrimony:
In the dusty red earth of eastern Arizona’s portion of the Navajo Nation, the main road stretches out beneath the massive white-cloud sky and rubs against barren, chalky mesas; sometimes it skirts the deep, dry crack of a canyon stubbled with sagebrush. Small fields of corn occasionally sprout up beside the road, the short stalks still far from ripe.
But away from the road, tucked beside lakebeds or the foot of a hillside, a mid-summer visitor will find bright yellow flowers beginning to open. They are the crowning blooms of a thin plant that can grow up to two feet tall and which thrives in the heat of this arid region. Called greenthread (Thelesperma), it is used to make Navajo “tea.”
A garland of greenthread. The dried bundles are brewed with sugar or honey. Courtesy of Ada Cowan
“Dance,” a sculpture made in 2000 by Honda Shoryu, in “Japanese Bamboo Art: The Abbey Collection,” at the Metropolitan Museum of Art. Credit Jake Naughton for The New York Times
Bamboo is an important part of the ecosystem in just about every place where we have worked over the last two decades; thanks to Roberta Smith for this:
Farmer Wendy Johnson markets hogs, chickens, eggs and seasonal turkeys. She also grows organic row crops at Joia Food Farm near Charles City, Iowa. Amy Mayer/Harvest Public Media
Thanks to Harvest Public Media, Amy Mayer and the folks at the salt over at National Public Radio (USA):
On a cloudy summer day, Iowa farmer Wendy Johnson lifts the corner of a mobile chicken tractor, a lightweight mesh-covered plastic frame that has corralled her month-old meat chickens for a few days, and frees several dozen birds to peck the surrounding area at will. Soon, she’ll sell these chickens to customers at local markets. Continue reading
San Francisco? Soho? Try Guatemala City, inside El Injerto, a coffee shop. Guatemala is home to an expanding coffee scene. Credit Daniele Volpe for The New York Times
Thanks to Elisabeth Malkin for her visit to Guatemala on behalf of the coffee lovers who read the New York Times:
GUATEMALA CITY — In the narrative spun around specialty coffee, there are two kinds of places: those where people cultivate the beans and those where people consume the end result. Continue reading
Early Classic Period Polychrome Vessels
Almost from its inception there have been archaeological studies of the Maya sites at Chan Chich by nature of the lodge’s stated purpose to protect the area from further lootering. Professor Thomas Guderjan lead some of the early field seasons (1988 and 1990) studying the Maya Settlements in Northern Belize. At that time, the two Dos-Arroyos Polychrome Vessels illustrated above were some of the only artifacts found on site, but the subsequent seasons, spanning close to 20 years at this point, have yielded extensive data and additional artifacts.
These two vessels remain on display in the restaurant area at Chan Chich Lodge. Although both had been repaired by Guderjan’s team, the one on the left had broken over the years. Just before this season’s team fully dispersed, I took the opportunity to request some puzzle practice. Continue reading
Crist’s post about this fascinating National Geographic article last week touched on its excellent graphics but barely began to scratch the surface of the amazing technology that would certainly have left the readers of the early issues of the magazine speechless.
In addition to the world-class photography, the interactive 3-D graphic of the frieze above uses SketchFab technology to allow viewers to not only zoom in and out, but to turn the object around in all directions, as if handling it in person. Do take the time to play with it! Continue reading
Today marks the birthday noted here, and I have just read another excellent essay marking the occasion. It happens to coincide with receiving a couple of excellent photographs from Richard Kostecke, a recent guest of Chan Chich Lodge who will soon be a contributor to this site. I’m confident the birthday celebrant would appreciate both the photos and the person. I am mixing things up a bit by sharing these photos with the essay, but I hope the point will be well taken:
Six years before he moved to Walden Pond in 1845 to ponder life and live deliberately, Henry David Thoreau spent two weeks canoeing rivers in Massachusetts and New Hampshire. The voyage was an epiphany for him. Continue reading
If you happen to be anywhere near the Philadelphia Museum of Art, you have a few more days to visit this extraordinary exhibit of Phulkari: The Embroidered Textiles of Punjab.
Thanks to Architectural Digest contributor Medhavi Gandhi for this informative and culturally sensitive article.
Phulkaris, which literally translates into ‘flower work’, is a unique style or technique of embroidery peculiar to Punjab, and today constitute the lavishly embroidered head scarves and shawls crafted in the region. ‘Phulkari: The Embroidered Textiles of Punjab’ presents phulkaris from the collection of Jill and Sheldon Bonovitz alongside the Philadelphia Museum of Art’s permanent collection, focusing mostly on embroideries from a pre-partitioned Punjab.
The threads of phulkari have since endured much: partition, industrial reforms, changing economic and fashion trends, and the exhibition aptly helps you develop a perspective around all these.
Curators Dr. Cristin McKnight Sethi and Dr. Darielle Mason position the craft as art, presenting phulkaris through the historical and cultural lens, thus offering a renewed contact with the old way of life; ceasing to be a commodity of high commercial value but more as a window into the lives of people.
In a brief issued by the Museum, Timothy Rub, The George D. Widener Director and CEO of the Philadelphia Museum of Art, said: “This exhibition, which examines the artistic, cultural, and political significance of phulkari, is long overdue and will certainly delight visitors who may be unfamiliar with this remarkable art form”. I couldn’t agree more, and here’s why: Continue reading
Anthony Blair Dreaver Johnston, a Mistawasis Nehiyawak elder, works closely with the university to advise on indigenous matters. Credit Cole Burston for The New York Times
The New World, as the Americas are often called, was new to the Europeans–aka explorers, pilgrims, pioneers, settlers, colonialists, conquistadors–but of course was the long time homeland to a diverse mix of indigenous people from the very north of the hemisphere all the way down to Tierra del Fuego. Continue reading
The Cultural Heritage Center is an $8 million investment in the community. Elissa Nadworny/NPR
It is not a question I have had to ponder (the opening line of the story below) for myself, but I get it. Losing the land, through battle, through treaties that are not honored, or otherwise, is an obvious existential threat for any community, and has been since the dawn of civilization. Invisible assets such as language, like any cultural heritage, also called intangible patrimony, are less obviously existentially important. But anyone who ponders it realizes that the loss of a language or another intangible component of cultural heritage matters to all of us, not only those who are at immediate and direct risk of its extinction. In the same way biodiversity matters, so does this.
And it is an underlying logic and motivator of our initiative with Ramon tree and its role in Mayan foodways. In earlier posts on the subject that I emphasized the environmental wonder of Ramon, but it is really a cultural heritage story, still to be told at Chan Chich Lodge. Meanwhile thanks to Melissa Block at National Public Radio (USA) for this story about one communities efforts along a related path:
What does it mean to lose your land, your language, and your heritage?
For Alaska Natives, these are existential threats.
On a trip to Southeast Alaska, I traveled to one village that is finding new ways to survive: Klukwan, ancestral home of the Tlingit tribe. Continue reading