If, like those of us who contribute to this platform, you had been following the standoff mentioned in this article, and following the Bundys as a sidenote, this article is worth a read. The author Jennifer Percy gives full voice, as far as we can tell, to the concerns of the people from that region and specifically their opposition to all aspects of the federal government other than the military. The last three paragraphs of the article are particularly chilling but getting there is a worthy journey:
The landscape of eastern Oregon has little in common with the state’s Pacific Coast. Credit Peter van Agtmael/Magnum, for The New York Times
I took the eastern route from Idaho, on a day of freezing rain, over the Strawberry Mountains, into the broad John Day River Basin, in Oregon. I was used to empty places. Most of my childhood was spent in this region of eastern Oregon, in remote areas of the sagebrush desert or in the volcanic mountains with their jagged peaks and old-growth forests. My family moved away just before I entered high school, and I never returned; I’ve felt in romantic exile ever since. This part of America that had once belonged to my childhood became the spotlight of national news in the winter of 2016, when the Malheur National Wildlife Refuge — an old childhood haunt — became the scene of a cowboy takeover. The takeover began as a protest in the town of Burns after two ranchers were sentenced to prison for arsons on federal land. The ranchers, Dwight and Steven Hammond, caught the attention of the Nevada rancher Ammon Bundy, who thought the punishment unfair. Bundy and a crowd of nearly 300 marchers paraded through Burns, and a splinter group eventually took over the Malheur headquarters. For 41 days, they refused to leave, protesting federal ownership of public lands, which they considered unlawful and abusive. I didn’t understand what had happened since I left, why so many people seemed so disillusioned and angry.
Joe Cronin on his ranch in the Malheur National Forest, in October. Credit Peter van Agtmael/Magnum, for The New York Times
The ground was snow-covered when I visited John Day last winter and the temperature below freezing. I was there to attend a meeting organized by Jeanette Finicum, the widow of LaVoy Finicum, an Arizona rancher who was shot and killed by government agents a year earlier. LaVoy was a leader of the Malheur occupation. He left the refuge for a speaking engagement in John Day with plans to return, but he was shot three times at an F.B.I. roadblock. For that reason, his widow was calling this event “The Meeting That NEVER Happened.” Continue reading
Recent Mexican immigrants deride them as a gringo quirk. Foodie purists dismiss them as not “real” Mexican food. But good flour tortillas can be revelatory. Photograph by YinYang / Getty
If culinary etymology is your cup of chai, you may appreciate Gustavo Arellano’s post in praise of flour tortillas. Among the reasons to thank him is this book (click the image to the right to go to the source) that we had not been aware of:
More than just a cookbook, Decolonize Your Diet redefines what is meant by “traditional” Mexican food by reaching back through hundreds of years of history to reclaim heritage crops as a source of protection from modern diseases of development. Continue reading
A traditional pot of Yemeni coffee, mixed with cardamom and ginger, is served with a Yemeni sweet honey bread at a new Yemeni coffee shop in Dearborn, Mich. Owner Ibrahim Alhasbani sees himself as part entrepreneur, part cultural ambassador for his home country. Zahir Janmohamed
The salt, at National Public Radio (USA) has a story today about coffee, entrepreneurship and cultural illumination that is about tasting the place, a once and future key theme of our pages:
The 35-year-old owner of a new Yemeni coffee shop in Dearborn, Mich., never imagined he would enter the coffee business. Ibrahim Alhasbani was born in Yemen and grew up on a coffee farm outside the country’s capital city of Sana.
A view inside Qahwah House, a Yemeni coffee house in Dearborn, Mich. The city has a high concentration of Arabs and Arab Americans (qahwah means coffee in Arabic). Zahir Janmohamed
“I had enough coffee in my life,” Alhasbani says. “But when I moved to America and the problems started back home, I told myself I have a chance to show that Yemeni coffee is really good and that Yemen is more than just violence and war.”
A couple of months ago, he opened Qahwah House in Dearborn, a city with a high concentration of Arabs and Arab Americans (qahwah means coffee in Arabic). Continue reading
The ruined castle of La Mothe-Chandeniers in central western France. The crowdfunding site Dartagnans organized an effort to buy the chateau for 500,000 euros. Guillaume Souvant/AFP/Getty Images
Thanks to National Public Radio (USA) for this signal that trust, the cement of civilization, is alive and well in some quarters:
It’s late 2017. By now, crowdfunding has been used to finance films, board games, classical music, scientific research and infertility treatments.
Add this to the list of things bought with collective purchasing power: A chateau in the French countryside, complete with moat.
The platform used to raise the funds announced on Friday that the castle had been purchased by milliers d’internautes – that is, thousands of Internet users, who each paid at least 50 euros (about $60) to “adopt” the chateau and help restore it. In just 40 days, the site raised the 500,000 euros it needed to buy it. Continue reading
Left, a ripe cacao pod. Right, truffles from Midunu chocolates contain spices and flavors from all over Africa. Midunu Chocolates
Thanks to Amy E. Robertson and National Public Radio (USA) for telling the story of Midunu, a brief excerpt of which is sampled below:
…While working in Senegal, Atadika joined forces with two more food-loving friends, and created a pop-up restaurant that was wildly popular. After dipping her toes in the culinary world for a couple of years, she finally took the plunge. In 2014, Atadika resigned from the UN, moved back to her native Ghana and began cooking full time.
Atadika started with catering and pop-up dinners. “It wasn’t my plan to do chocolates,” she says. “But whatever I do in food I look at in terms of adding value, and chocolate just kind of popped in, because we have this cocoa but we weren’t really processing it at the level we should be.” Midunu Chocolates was born. Continue reading
Thanks to National Public Radio (USA) for bringing this to our attention:
Is It Insulting To Call This A ‘Hut’?
The complaints came in shortly after we ran a story on a government aid program that gave cash to the poor in Zambia. The piece included a profile of a young woman who, along with her husband, had used the money to start a business that had lifted their family to a level self-sufficiency they’d never enjoyed before.
Several readers — okay, just two, but still, it made us take note! — wrote to take issue with my use of the word “hut” to describe the family’s dwelling. Continue reading
The publisher’s blurb starts with an annoying claim, as if there is one chef better than all others in the world, that illustrates why foodie-ism is less and less linked to on this platform. Nonetheless, the book sounds worthy of attention:
Massimo Bottura, the world’s best chef, prepares extraordinary meals from ordinary and sometimes ‘wasted’ ingredients inspiring home chefs to eat well while living well.
‘These dishes could change the way we feed the world, because they can be cooked by anyone, anywhere, on any budget. To feed the planet, first you have to fight the waste’, Massimo Bottura
Bread is Gold is the first book to take a holistic look at the subject of food waste, presenting recipes for three-course meals from 45 of the world’s top chefs, including Daniel Humm, Mario Batali, René Redzepi, Alain Ducasse, Joan Roca, Enrique Olvera, Ferran & Albert Adrià and Virgilio Martínez. These recipes, which number more than 150, turn everyday ingredients into inspiring dishes that are delicious, economical, and easy to make.
We remember the genesis of this from a story by Adam Robb a couple of years ago:
The renovated Refettorio Ambrosiano in Milan’s Greco neighborhood will house a charity event organized by chef Massimo Bottura during Expo Milano 2015. Credit Adam Robb
Italy’s most progressive exhibition of sustainable cooking commences this Thursday, when the Michelin-starred chef Massimo Bottura throws open the doors of Refettorio Ambrosiano, the once-derelict theater repurposed to educate and feed the refugees and working poor who reside far across town from the multinational pavilions welcoming culinary tourists to this summer’s Expo Milano 2015. Continue reading
Thanks to Mandalit del Barco and the National Public Radio (USA) folks at the salt for this book review that has special resonance to those of us with immigrant street vendor heritage:
How many taco trucks do you know that not only have a cookbook but a theme song? Wes Avila’s Guerrilla Tacos truck does – and has once again made food critic Jonathan Gold’s influential list of favorite Los Angeles eateries.
Five years ago, Avila was working as a sous chef at a pop up restaurant called Le Comptoir. It was only open four days a week, and Avila says he wasn’t making enough money to cover his rent. So he bought a simple food cart. He used his last $167 on ingredients. Then he and a friend began selling tacos in the arts district in downtown Los Angeles without the required health department permits.
“We were kind of bending the law, not necessarily breaking the law. We had to move around so we wouldn’t get caught — you know, like guerrilla warfare,” Avila says. “That’s why we had that name, because we’d be in random alleys, random streets, being kind of renegade like that.” Continue reading
Search on the three words “seeds of change” on this platform and you will find dozens of stories dealing with topics like botanical hazard initiatives or innovative approaches to flora conservation and/or climate change and some of the radical plans made to prepare for it that we have linked to over the years. Type the same three words into your favorite search engine and the topics are much more diverse. The three words are also the name of an evolving exhibition, and the subject of an article that mixes art, academia and activism:
An exhibition using plants brought to New York in ships’ ballast illuminates the city’s hidden past using stinging nettle, milk thistle and amaranth. Continue reading
Families in small town, coastal Maine have been fisherfolk for generations, but waters warm and fish patterns change, many are looking at alternative livelihoods. Joe Young, pictured above, is diversifying into oyster and kelp farming in addition to his dockside cafe that where he sells lobster rolls, lobster dinners and, now, his homegrown oysters.
COREA, Me. — The boats start up around 3:30 in the morning, stirring the village with the babble of engines before they motor out to sea. They will return hours later, loaded with lobster.
Joe Young’s boat has not gone out lately. Instead, he puts on waders and sloshes into the salt pond behind his house, an inlet where water rushes in and out with the tides. After a lifetime with most of his income tied to what he finds in the sea, this lobsterman — and sixth-generation fisherman — is trying his hand at something new. He is farming oysters. Continue reading
Yurok dance feather regalia in cedar boxes, at Dave Severns’s camp on the Yurok Indian reservation. Credit Talia Herman for The New York Times
As important as cultural conservation is to us it gets half as much attention in these pages as nature conservation (a matter of life and death), so we are more than happy to share stories like this one (thanks to Patricia Leigh Brown) when they land on our desk:
Dance feather regalia dry in the sand, made by Dave Severns, whose culture camp teaches young men a nearly forgotten art form. Credit Talia Herman for The New York Times
KLAMATH, Calif. — The gathering known simply as “Uncle Dave’s camp” begins at daybreak on the pebbled banks of the Klamath River, the age-old spruce and redwoods on the bluffs shrouded in mist.
Here on the Yurok Indian Reservation near the Oregon border, so remote that certain areas have yet to receive electricity, young male campers sit on cedar logs while keeping tabs on a river rock heated in a fire. The rock, hand-hollowed and chiseled with basketry patterns, contains a molten glue made from the dried air bladders of sturgeons. The syrupy concoction is a crucial ingredient for making feathered headdresses, hide quivers, obsidian-blade sticks and other forms of ceremonial dance ornaments, or regalia, that are at once works of art and living conduits to the spirit world. Continue reading
A life of hunting and gathering had advantages over one of farming and settlement. Illustration by Golden Cosmos
John Lanchester’s article, pondering technology versus science, gives fire its due in the course of reviewing a new book about how hunting and gathering gave way to progress. At the same time, Lanchester raises reasonable doubts about the gains:
…We don’t give the technology of fire enough credit, Scott suggests, because we don’t give our ancestors much credit for their ingenuity over the long period—ninety-five per cent of human history—during which most of our species were hunter-gatherers. “Why human fire as landscape architecture doesn’t register as it ought to in our historical accounts is perhaps that its effects were spread over hundreds of millennia and were accomplished by ‘precivilized’ peoples also known as ‘savages,’ ” Scott writes. Continue reading
17 years ago, the word organikos crept into our vocabulary. Our company had recently been transformed from an advisory service to a management company. We were one year into the process of establishing protocols for “hospitality with sense and sensibility” and some generalizable principles for entrepreneurial conservation.
We were, in the year 2000, focused on rainforest conservation in the Osa Peninsula of Costa Rica, leveraging the economics of lodging and guided nature immersions. We used organikos as our codeword for an initiative that we would get to when we had time. This initiative would provide the tastes–from beverages, spices, foods–associated with the places we had been working in recent years; it would provide those tastes as pre-experience of those places. Our first thought was coffee from Costa Rica.
We did small experiments over the years since then, starting with a single estate coffee from Costa Rica’s Tarrazu region; then wine from the Croatian island of Hvar; then monsooned coffee from the Malabar coast of India.
Now we are back from India, at home again in Costa Rica. And we would welcome you to visit, but first how about some Tarrazu single estate coffee? Let me know. Hacienda La Minita was a pioneer in single estate coffee, an early inspiration for us in terms of tasting the place, and it continues to be one of our favorites. We can get it to you. And if you want to visit the estate, or get to know any other place in Costa Rica, we can help with that as well.
Greenthread (Thelesperma) is a wild plant that thrives in the mid-summer heat of the American Southwest. This bunch is freshly cut, and waiting for rinsing and drying to make Navajo tea. Courtesy of Deborah Tsosie
Give yourself a few minutes for this story about the link between seasonal produce and cultural patrimony:
In the dusty red earth of eastern Arizona’s portion of the Navajo Nation, the main road stretches out beneath the massive white-cloud sky and rubs against barren, chalky mesas; sometimes it skirts the deep, dry crack of a canyon stubbled with sagebrush. Small fields of corn occasionally sprout up beside the road, the short stalks still far from ripe.
But away from the road, tucked beside lakebeds or the foot of a hillside, a mid-summer visitor will find bright yellow flowers beginning to open. They are the crowning blooms of a thin plant that can grow up to two feet tall and which thrives in the heat of this arid region. Called greenthread (Thelesperma), it is used to make Navajo “tea.”
A garland of greenthread. The dried bundles are brewed with sugar or honey. Courtesy of Ada Cowan
“Dance,” a sculpture made in 2000 by Honda Shoryu, in “Japanese Bamboo Art: The Abbey Collection,” at the Metropolitan Museum of Art. Credit Jake Naughton for The New York Times
Bamboo is an important part of the ecosystem in just about every place where we have worked over the last two decades; thanks to Roberta Smith for this:
Farmer Wendy Johnson markets hogs, chickens, eggs and seasonal turkeys. She also grows organic row crops at Joia Food Farm near Charles City, Iowa. Amy Mayer/Harvest Public Media
Thanks to Harvest Public Media, Amy Mayer and the folks at the salt over at National Public Radio (USA):
On a cloudy summer day, Iowa farmer Wendy Johnson lifts the corner of a mobile chicken tractor, a lightweight mesh-covered plastic frame that has corralled her month-old meat chickens for a few days, and frees several dozen birds to peck the surrounding area at will. Soon, she’ll sell these chickens to customers at local markets. Continue reading
San Francisco? Soho? Try Guatemala City, inside El Injerto, a coffee shop. Guatemala is home to an expanding coffee scene. Credit Daniele Volpe for The New York Times
Thanks to Elisabeth Malkin for her visit to Guatemala on behalf of the coffee lovers who read the New York Times:
GUATEMALA CITY — In the narrative spun around specialty coffee, there are two kinds of places: those where people cultivate the beans and those where people consume the end result. Continue reading
Early Classic Period Polychrome Vessels
Almost from its inception there have been archaeological studies of the Maya sites at Chan Chich by nature of the lodge’s stated purpose to protect the area from further lootering. Professor Thomas Guderjan lead some of the early field seasons (1988 and 1990) studying the Maya Settlements in Northern Belize. At that time, the two Dos-Arroyos Polychrome Vessels illustrated above were some of the only artifacts found on site, but the subsequent seasons, spanning close to 20 years at this point, have yielded extensive data and additional artifacts.
These two vessels remain on display in the restaurant area at Chan Chich Lodge. Although both had been repaired by Guderjan’s team, the one on the left had broken over the years. Just before this season’s team fully dispersed, I took the opportunity to request some puzzle practice. Continue reading
Crist’s post about this fascinating National Geographic article last week touched on its excellent graphics but barely began to scratch the surface of the amazing technology that would certainly have left the readers of the early issues of the magazine speechless.
In addition to the world-class photography, the interactive 3-D graphic of the frieze above uses SketchFab technology to allow viewers to not only zoom in and out, but to turn the object around in all directions, as if handling it in person. Do take the time to play with it! Continue reading