Gordon Matta-Clark’s “Day’s End” (Pier 52), 1975. Photograph Courtesy the Estate of Gordon Matta-Clark / ARS / David Zwirner
Renaissance is a word that sounds like it means something good. But not necessarily so. Sarah Cowan has this review of a show in the Bronx that sounds worthy of a visit:
Gordon Matta-Clark (pictured left, in 1975) folded urban decay into his art. Move ahead forty years and the city’s debris is from new development. Photograph by Harry Gruyaert. Courtesy the Estate of Gordon Matta-Clark / ARS / David Zwirner
In the film “Day’s End,” the artist Gordon Matta-Clark rides a whale-size piece of corrugated metal as it is hoisted away from the wall from which he just cut it. He’s a young man, age thirty-two. The feat was filmed in the summer of 1975, in Chelsea’s abandoned Pier 52 building, where Matta-Clark attempted to make an “indoor park.” His silhouette, against the sunlight streaming in from his new view of the Hudson River, is heroic. Continue reading
lillisphotography / Getty / Emily Jan / The Atlantic
We do not normally link to the writing of science fiction authors, nor is the topic of the essay below typical of the themes in our 2011-2018. But it is not unheard of; nor is it too late to add more to this short thread of links to sci-fi authors. If Bruce Sterling catches your attention with these first few paragraphs pasted below, you may want to go to The Atlantic to read the rest:
Digital stardust won’t magically make future cities more affordable or resilient.
The term “smart city” is interesting yet not important, because nobody defines it. “Smart” is a snazzy political label used by a modern alliance of leftist urbanites and tech industrialists. To deem yourself “smart” is to make the nimbyites and market-force people look stupid.
Smart-city devotees all over this world will agree that London is particularly smart. Why? London is a huge, ungainly beast whose cartwheeling urban life is in cranky, irrational disarray. London is a god-awful urban mess, but London does have some of the best international smart-city conferences.
London also has a large urban-management bureaucracy who emit the proper smart-city buzzwords and have even invented some themselves. The language of Smart City is always Global Business English, no matter what town you’re in.
So if grand old London is smart, with its empty skyscrapers, creepy CCTV videocams, and sewers plugged with animal fat, then we probably needn’t fret about the Elon Musk sequins and stardust of digital urbanism. Better to reimagine the forthcoming urban future as a mirror of Rome, that “Eternal City,” where nothing much ever gets tech-fixed, but everything changes constantly so that everything can remain the same. Continue reading
PHOTO COURTESY OF MACHIKO THRELKELD
Thanks to Sierra magazine for bringing this to our attention:
A new report ranks the best and worst places to hop on the saddle
Do you live in the safest or the most dangerous state for riding a bike? The 2017 Bicycle Friendly State Report Card has the answer.
Each year, the League of American Bicyclists, an advocacy group founded in 1880 to improve street conditions for bikers, releases a detailed ranking that cyclists can use to track where it’s safe, and not so safe, to hop on wheels. The group also monitors each state’s progress toward increased bicycle safety. The rankings are derived from a variety of factors, including five key bicycle-friendly actions, federal data on bicycling conditions, and summaries with feedback on how each state can improve the safety and mobility of bicyclists. Continue reading
Collin Waldoch Illustration by Tom Bachtell
We linked out to stories about bike-sharing when it was relatively new in New York. This week, an enchanting short note on a peddler of angelic behavior, and a couple examples of people who have pedaled accordingly:
A program offers modest benefits to riders who help rebalance the city’s network of bicycles. One man outdid its expectations.
By Ian Parker
On a recent Monday, Glenn Reinhart, a former salesman of chemicals for the cosmetics industry, and now, in his mid-fifties, a freelance karate instructor with a fair amount of leisure time, took twenty-two rides on Citi Bikes, one after another, and then went out to breakfast in Chelsea. He had arranged to meet Collin Waldoch, who runs Bike Angels, the Citi Bike program that awards points, redeemable for extended membership and other modest benefits (a commemorative pin; a white bike key), to riders who help the company rebalance its network of twelve thousand bikes. Angels earn points for taking bikes from full stations and parking them at empty ones. A ride from one to the other might earn two or three points. When the scheme was launched, this spring, Waldoch thought that someone might, in the course of a year, earn five hundred points. By the fall, Glenn Reinhart had earned nearly eight thousand—twice as many as anyone else—and Waldoch sent him an e-mail and invited him to breakfast. Continue reading
The scientific journal Nature is not one of our regular sources for stories here, but when the Science section of the Times points out a good story, we listen. To our surprise, even the Real Estate section of the Times can point out must-read stories from Nature (the slide show is worth the click):
There are 422 living trees for every human on Earth — 3.04 trillion overall — and during a couple of weeks each fall, a person can feel plainly outnumbered. Is it possible that a trillion of those trees have deposited their leaves in the front yard? And why are so many of them still green? Continue reading
A swallow-tailed kite and 12 other birds painted by Lunar New Year.
Tricolored Heron by Federico Massa a.k.a. iena cruz. Photo: Mila Tenaglia
Murals with birds always capture our attention; we cannot resist linking to such initiatives when they are cleverly conceived, elegantly executed, and perfectly placed. Enjoy this epic series, a fitting tribute to the National Audubon Society:
Photo: Mike Fernandez/Audubon
The Audubon Mural Project is a collaboration between the National Audubon Society and Gitler & Gallery to create murals of climate-threatened birds throughout John James Audubon’s old Harlem‐based neighborhood in New York City. The project is inspired by the legacy of the great American bird artist and pioneering ornithologist and is energized by Audubon’s groundbreaking Birds and Climate Change Report, which reveals at least half of all North American birds are threatened by a warming climate. The project commissions artists to paint murals of each of the report’s 314 species, and has been widely covered in the media, including most recently by The New York Times.
Thanks to the Editorial Board of the New York Times for reminding us of this:
Louise Jones, with her husband, Gabe, working on a mural of an evening grosbeak. Credit Photographs by Karsten Moran for The New York Times
In his final years, John James Audubon, the celebrated 19th-century painter of bird life, lived in rustic uptown Manhattan in a house by the Hudson where some of his final paintings were of urban rats that caught his eye. Continue reading
Image © 2016 CHOI+SHINE
I’ve long been fascinated with urban space art installations in general, and fibre based pieces in particular. Somehow I missed hearing about the Singapore based i Light Marina Bay Light Art Festival in March, but I’m happy to have discovered it now.
The festival is an annual event, and this year’s theme of Biomimicry and Sustainability strike multiple chords. London/Seoul based architectural firm Choi+Shine created The Urchins for this site specific installation.
This project is inspired by sea urchin shells, which are enclosed yet light weight, delicate and open. Their textured and permeable surface interacting with light creates openness, while the pattern’s mathematical repetition brings visual rhythm and harmony. Against light, the sea urchin natural form reveals one of the most spectacular patterns found in nature. Continue reading
Thanks again to one of our most reliable sources for the summary of conservation-oriented science, and specifically to Brandon Keim for this one:
Even in one of the most densely urbanized places on Earth, wildness and natural abundance may yet flourish again, sustained by both neglect and stewardship. Continue reading
Tony Konecny, the head of coffee operations at Locol, outside the branch in the Watts neighborhood of Los Angeles. CreditEmily Berl for The New York Times
We have no reason to debate the logic of a more reasonably priced cup of quality coffee:
LOS ANGELES — The $1 cup of coffee is divisive, as drinks go.
For some, it’s a staple of the American morning: a comforting routine, a good deal. Anything that costs more than $1 is needlessly expensive, a waste of money — the coffee from a deli, diner or doughnut cart is all you need to start the day. For others, the $1 cup is suspiciously cheap. Maybe it tastes bad, or its production does harm to the land and is unfair to laborers. If you have to pay more, then that is probably a reflection of a drink’s true cost. Continue reading
Ron Finley in a garden outside his home in Los Angeles. Credit Emily Berl for The New York Times
When Amie passed along a link to him way back when, it was all fresh news about an amazing challenge set up by an urban charismatic. Now that challenge has been turned around and amped up and we link again to Ron to help him gets what he needs:
In case you did not see it yesterday, take a look at this when you have the time to read it in full. For now, over a quick coffee, click the image above to go to a video, 5:30 minutes long, to understand what the National Park Service is doing on behalf of this majestic lost cat:
The carnivore biologist Jeff Sikich captures and examines a mountain lion in the Santa Monica Mountains. Courtesy National Park Service
Recently I have been on morning walks extending miles across the waters from Thevara (the land on the left across the water in the photo above) our neighborhood starting in 2010. In the early years, while getting to know our new neighborhood, I snapped photos mainly of people and took notes.
Thanks to Anthropocene for this summary of a counterintuitive finding:
Raccoon track in mud along stream. Sarpy County, Nebraska. October 1996. Central Tallgrass Prairie Ecoregion. Photo © The Nature Conservancy (Chris Helzer)
It seems to go hand in hand with today’s other post, so thanks to The Nature Conservancy as always for this one:
By Matt Miller
Tracking is one of the most family-friendly wildlife activities; you can enjoy it anywhere there is a patch of open ground. As I’ve written previously, kids love deciphering the mysteries of animal tracks. Even my two-year-old son loves checking out the tracks in our yard.
Header image: Street art in London by Aida. Credit: Maureen Barlin via Flickr.
Anthropocene is back, after a brief holiday break, with a good summary of findings on urban-influenced evolution:
Flexn artists, photo by Sodium for MIF 2015
We had not heard of Flexn until this week, when they were mentioned in a podcast with the phenomenal Peter Sellars (alluded to once previously in these pages, and linked to another time directly). Now we want to know more. And it looks like one way to learn more will happen at The Shed. Back in August, when we first heard about The Shed, it was a quick glance at the future. Now we have more detail, thanks to this early release of a profile in next week’s New Yorker:
How will the director of New York’s ambitious experimental cultural center change the city?
By Calvin Tomkins
Every so often, it seems, visual artists are stricken by the urge to perform. The “happenings” movement in the nineteen-sixties—young painters and sculptors doing nonverbal theatre—was explained as a response to Pollock, de Kooning, and other gestural Abstract Expressionists: it was the gesture without the painting. Continue reading
As Kochi is awash with participating artists putting finishing touches on their Kochi-Muziris Biennale works, it’s exciting to see art flourishing in other cities on a regular basis.
Atlanta’s Living Walls seeks to promote, educate and change perspectives about public space in local communities via street art. Dozens of international artists participate in an annual conference on street art and urbanism that began in August 2010 in the city of Atlanta. Continue reading
Thanks to Cool Green Science:
BY TIMOTHY BOUCHER
We’ve all used Google Earth — to explore remote destinations around the world or to check out our house from above. But Google Earth Engine is a valuable tool for conservationists and geographers like myself that allows us to tackle some tricky remote-sensing analysis.
After having completed a few smaller spatial science projects in the cloud (mostly on the Google Earth Engine, or GEE, platform), I decided to give it a real workout — by analyzing more than 300 gigabytes of data across 28 United States and seven Chinese cities. Continue reading